EMBRILLIANCE FONTSĮmbrilliance BX fonts are “stitch file” fonts and are therefore limited as far as controls. While it’s possible to save a stitch file into a working file format, it doesn’t make it a true object file. Such controls are seldom possible with a stitch file on an object level although some programs have “fabric recipes” for global changes.
With an object file in the right software, you can change the shape by moving “nodes” or “points” on the outline as well as adjust the stitch attributes such as stitch types, stitch angle, underlay, compensation, density, lock stitches. Object files are more scalable and more adjustable. To sew, the file must be exported to a stitch file.Įmbroidery object files are similar to vector graphics, which are composed of mathematically defined shapes.
Object files can’t be read or sewn on an embroidery machine. Native files can usually only be read by the program that created them whereas most embroidery programs these days can import and export most any stitch file. This is the master file and can only be manipulated in the program where it was created.įor Hatch, this is EMB for Embrilliance, it’s BE. You may also hear them called “native” or “all-in-one” or “working” or “creator” files. Object files are composed of shapes that have stitches applied to them. You can do basic things similar to an embroidery customizing program: mirror, rotate, resize, skew. But you can’t just click on the nose or the eye because they aren’t discrete objects. It’s pretty much one big blob of lots of colored pixels. Imagine you’ve taken a photo of your cat and you want to modify it. Stitch files can be likened to bitmap graphics, which are a collection of little colored blocks called pixels. Other programs will instead just separate the design by colors, even if that color is composed of multiple “units.” (Embrilliance works this way.) This can be less confusing to work with, especially with basic customizing. Only you can decide which one is best for how you work.īut first, we need to understand the difference between stitch files and object files. Hatch and Embrilliance handle fonts very differently and of course, each one does something the other can’t. One question I get asked a lot is about fonts.
Instead, I’ll modify my designs in the program where they were created. However, if you purchase designs, it’s rare to get a true stitch file and even if you can, you must have the software it was created with to even open it. Note: Because I’m a digitizer and generally only work with designs I create, I seldom actually work with stitch files. Generally, I like Embrilliance better for editing stitch files and Hatch for digitizing. Well, the answer is each one has something it does better than the other and if you’re serious about embroidery, you may need both! Considered Floriani as well as that's what Anita Goodesign uses (and his video has me desperately wanting a Wacom tablet to draw on).Because I use both Hatch and Embrilliance, I often get questions along the lines of “which one is best?” Recently that question has popped up about fonts so here’s what you need to know!
I've always considered that their professional software is top of the line. Years ago someone had asked and Embroidery Library, at the time, had said they used Wilcom.
I know these are all pc programs, but am adept at pcs and Macs both - had wanted to move all design to the Mac. I'd thought Floriani (they still offer upgrades for life, which is a huge draw) so surprised with msjames findings.
I had 4D, went to TruEmbroidery for Mac and may be shopping for a different software as new Mac OSs are released rather than upgrade my TruE. I know there's a huge difference in price, but what are you not getting? I'll have to go ping one of the emails they've sent me and ask if they're developing a chart to steer folks in the right direction (I see the direct links with CorelDraw and such). Hi, I would love to know how Hatch, their hobby software differs from their professional E3 software.